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Edited by Vincenzo Latronico

English version | 2011
14 × 21 cm | 56 pages
13.00 eur


German version | 2011
13 × 18,5 cm | 80 pages
12.00 eur


Italian version | 2011
13 × 20 cm | 64 pages
14.00 eur
Remedies to the absence of Reiner Ruthenbeck

Remedies to the Absence of Reiner Ruthenbeck, including contributions by Magdalena Holzhey, Vincenzo Latronico, Simone Menegoi and Dieter Roelstraete, is a collection of texts around the concept of an exhibition which includes no actual artworks by the artist it exhibits.

Published to accompany a documentary retrospective of German conceptual artist Reiner Ruthenbeck's 60s and 70s sculptures, Remedies to the Absence of Reiner Ruthenbeck investigates the methods, reasons and motives for the recent surge in documentary displays in the visual arts, with a particular focus on the relationship between sculpture and photography.

Existing in English, German and Italian, under three different book forms and designs, and with slight discrepancies between the three versions, Remedies to the Absence of Reiner Ruthenbeck itself questions the relationship between the "original" and the "derivative" which ultimately grounds the concept it investigates - that of documentation, the possibility of using a copy, be it a text or a picture, to summon the presence of what is afar, as a remedy to its absence. Of course, not all remedies work.
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Here, then, life is understood as something narrated and documented but unable to be shown or presented. This lends the documentation a plausibility of representing life that a direct visual presentation cannot possess.
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Wie Wasser, Gas und elektrischer Strom von weither auf einen fast unmerklichen Handgriff hin in unsere Wohnungen kommen, um uns zu bedienen, so werden wir mit Bildern oder mit Tonfolgen versehen werden, die sich, auf einen kleinen Griff, fast ein Zeichen einstellen und uns ebenso wieder verlassen.
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Sottomessa alla tirannia del Particolare (...) l'opera d'arte immortale e tanto a lungo desiderata mi appariva trasformata in una piccola vecchia di pietra, di cui avrei potuto misurare l'altezza e contare le rughe.
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