Category: Artist’s book

Book

Conversing with Leaves

Dialogue forms the basis of everything in my artistic practice. I never work in a vacuum, never just in my head or shut away in a studio. I always view myself as being in a dialogue with the world, with others. I travel a lot for my work and I’m dependent on people to talk with locally, on hospitality and collaboration. For some time, I’ve also been interested in the way we can understand plants as actors in history, in other words, not just as passive extras. Of course, plants don’t talk in words, but they are still communicating through smells, colours, or toxins. So conversations always take place on various levels.

Book

Peace with the Earth — Tracing Agricultural Memory, Refiguring Practice

The artistic enquiry presented in this book responds to the call, made by two Swedish suffragettes and peace activists Elisabeth Tamm (1880–1958) and Elin Wägner (1882–1949) in their pamphlet Fred med Jorden (Peace with the Earth, 1940). Grounded in research into agricultural practices on the Swedish island of Gotland in the Baltic Sea, the quotations, documents and photographs of dead and living matter presented in this book testify to ways of living off the land.

Illusion einer Menschenmenge
Book

Illusion einer Menschenmenge

Filmmaterial 7 / In Zusammenarbeit mit Till Gathmann. Mit den Filmen Transformation Scenario, 70.001 und Faux Terrain sowie einem Bildessay, Glossar und Textbeiträgen von Heike Geißler, Fanni Fetzer und Franciska Zólyom.

Book

The Illusion of a Crowd

Film material 7 / In collaboration with Till Gathmann. Including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

Book

Azin Feizabadi. After Cinema

This book marks the ten-year anniversary of the project A Collective Memory by Azin Feizabadi. The project encompasses five narrative-driven films, alongside other artworks. Each film has its own urgency, approach, and point of departure. The films naturally vary in their subjects, they touch upon stories of migration, uprising, transformation, revolution, renewal, collapse, defeat, depression, and desire that connect the life of the artist with those around him. The research materials that have come up over the course of this project consist, on the one hand, of concrete historical events and, on the other hand, all the innumerable, fragmented personal memories spread between pats, presents, and futures that narrate every-changing stories of how things were, are, and may be.

Book

Assaf Gruber. The Storyseller

Assaf Gruber’s films examine how art affects individuals who are not necessarily drawn to it. What may seem to be at the margins of culture sometimes turns out to be its most conspicuous parts. The films’ plots emerge from the situations of their characters, addressing the ways in which personal stories become intertwined with political ideologies, and how social relations between private and public spheres are shaped.

Where is Cinema?
Book

Where is Cinema?

The book is compiled of portraits of film initiatives from around the world, interwoven with conversations with adventurers who have rebooted movie theatres or built them up from the ground, in the hope that it can be an inspiring compendium for future cinema builders, filmmakers, film curators and film lovers.

Book

’68NOW

This book is to be published fifty years after the events of ’68. The focus of the symposium, as is clear from the title, is concerned with both the discontinuities and the continuities between ’68 and our present situation, examined in a series of lectures organised by Vasyl Cherepanyn from the Visual Culture Research Center and with a contribution from tranzit.cz, in Kyiv.

Book

Language is Skin

Overlapping every day observations with archival material, confronting, jumping. Figures that intervene – interruptions into the reproduction and maintenance of colonial poison cabinets and patriarchal canons. Histories of involvement. The folding of histories. Entangling feminist fictions. Taking care of. Trouble, always trouble.

Book

Sticky Stage

Sticky Stage is an installation and a performance. It's a rehearsal situation, carried by live music, including poems, songs, films and texts. This book gives evidence to Sticky Stage, specified on the basis of the case study at DISTRICT in Berlin. It is a path for future performances. This book is an archive of the performance and a documentation of what will be.

Book

The Cast

Film material 7 / In collaboration with Till Gathmann. Including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.