Category: Latest titles

Azin Feizabadi After Cinema. Fictions from
A Collective Memory

This book marks the ten-year anniversary of the project A Collective Memory by Azin Feizabadi. The project encompasses five narrative-driven films, alongside other artworks. Each film has its own urgency, approach, and point of departure. The films naturally vary in their subjects, they touch upon stories of migration, uprising, transformation, revolution, renewal, collapse, defeat, depression, and desire that connect the life of the artist with those around him. The research materials that have come up over the course of this project consist, on the one hand, of concrete historical events and, on the other hand, all the innumerable, fragmented personal memories spread between pats, presents, and futures that narrate every-changing stories of how things were, are, and may be.

Natascha Süder Happelmann Ankersentrum
(surviving in the ruinous ruin)

Natascha Süder Happelmann deals with what could be called ruinous spaces. Spaces that have created conditions or facts that are irreversible or irreparable. Natascha Süder Happelmann is of the opinion that some spaces are already ruins at the time of their creation. Their ruinous character is often already inherent in the idea behind them. It is precisely these spaces that Natascha Süder Happelmann seeks out in her quest for the unstable formations of possibility and survival. Throught her collaborative practice Natascha Süder Happelmann’s reassesses the conditions and spaces for artistic action and activates aesthetic research in political and social contexts.

Miracle Workers Collective A Greater Miracle of Perception

If people have been engaging with the possible “and the way the world is today is the result of the possible that they did,” then what would be the results of imagining and engaging with the impossible? —Miracle Workers Collective

’68NOWThe Kyiv International

This book is to be published fifty years after the events of ’68. The focus of the symposium, as is clear from the title, is concerned with both the discontinuities and the continuities between ’68 and our present situation, examined in a series of lectures organised by Vasyl Cherepanyn from the Visual Culture Research Center and with a contribution from tranzit.cz, in Kyiv.

Raphaël GriseySowing Somankidi Coura

Sowing Somankidi Coura. A Generative Archive is a long-term research endeavor initiated by Raphaël Grisey in collaboration with Bouba Touré. The project revolves around the permacultures and archives of Somankidi Coura, a self-organized cooperative along the Senegal river. The cooperative was founded in 1977 by a group of former African migrant workers and activists in France after the Sahel drought of 1973.

raumlabor
cantiere barca

Cantiere Barca is an experimental art and architecture project for public space that, between 2011 and 2013, involved dozens of people in actions of construction and place-making under the guidance of the architecture collective raumlaborberlin, in a neighbourhood at the farthermost northeastern corner of the city of Turin. In the years of endless crisis – in the economy, in politics, and in the environment – Cantiere Barca has fulfilled the demand for the identity and social recognition of a group of residents, breathing life into a workshop of shared creative practices and an exchange of knowledge, thus undertaking a journey from the urban periphery to the MoMA in New York. Cantiere Barca is also a case study, which has wit- nessed both success and failure, to ponder on the meaning of such concepts as collective, community, the common good, participation, responsibility, utopia, and future.

Being Together
Precedes Being

Being Together Precedes Being offers a text book for the project “The Kids Want Communism,” which was initiated towards the 99th anniversary of the Soviet Revolution of October 1917 as a series of exhibitions, symposiums and conferences, screening programs, publications and a summer camp. In this textbook, communism does not merely describe an “us versus them” relation, but also offers that we are becoming the future. This trajectory of communism runs parallel to us at every single moment and its guiding principle is that being together precedes being. 

Film in the Present Tense
Why can’t we stop talking about
analogue film?

This book brings together contributions from participants and guests of Film in the Present Tense – International Symposium on Current Developments in Analog Film Culture, held in Berlin. It reflects a contemporary discussion around the use, value and purpose of analogue film from a multiplicity of perspectives: artists, filmmakers, scholars, archivists, curators, technicians and manufacturers. Film in the Present Tense intends to provide a documentation of the collective momentum that characterized the symposium and it responds to the persistent desire to keep talking about analogue film.

homecomings 1,2,3,etc.

What is lost and what is found in the process of returning home? homecomings revisits, through varying means of translation, spatial and conceptual loci of homecoming within artistic practice. This publication draws its principle inspiration from the architectural and linguistic returns and repetitions punctuating artist Hreinn Friðfinnsson’s House Project and author Georges Perec’s Espèces d’espaces. Testing the concept of “homecomings” against a number of artistic practices, this volume grows out of an imperative to act according to the referentiality hallmarked in the conceptually rigorous works of Friðfinnsson and Perec. The collected contributions oscillate between self-referential modes—creating full-circle loops within singular practices—and far-reaching trajectories, gaining momentum and associations upon every rereading. Like Perec, many works call for an attuned presence, and in so doing, proffer a homecoming at the very site of reading.

Vangjush VellahuWhere stories
cut across the land

This is not an artist’s book about borders. Rather, it is an artist’s book about overcoming the influence of politics on the land within the borders of unrecognized or semi-recognized states. It is a document of the fragmented symptoms of the “Bosnian pot” character of governance, in which all components simultaneously complement and eliminate each other. This unsettling principle of governance, in which elements unable to withstand the pressure collapse, while those that are more powerful survive (and are subsequently absorbed within the system), has been known for many centuries. By not taking sides, what this book highlights, from a bird’s-eye view, are the contrasts and conflicts provoked by contemporary attempts at preserving a semblance of safety within those borders. Unfortunately, many of these attempts did, and continue to, constitute crimes.

What if it won’t stop here?

Coming from dance, music, film, performance, visual art, and critical theory, nine artists from the UdK Graduate School in Berlin get together to talk concepts and share work. They respond to the sense of despair spreading in times of political backlash: What if it won’t stop here?

The Fine Art of Living
Ina Wudtke

Gentrification is not a law of nature, it is a war against the poor. It is a carefully planned development in cities, where it is welcomed and supported by political actors who prefer wealthy citizens. From 2008 until 2018, Berlin artist Ina Wudtke’s works focused on the displacement of low income tenants from their apartments in the city center, through massive rent hikes and with the help of judicial instruments like the so-called “Modernisierungsklage”, a tool used by landlords to revamp apartments for future high income tenants, or the so-called “Eigenbedarfsklage”, whereby the new owners of former public housing claim occupancy against longterm tenants.

Bitter Things

Labor migration is worldwide creating new models of the transnational family, which despite geographical distances strives to maintain contact between the separated family members. But, how is the relationship between parents and children to be redefined whenever gifts and material support take the place of shared experience? When physical closeness has to take second place to communication programs like Skype and WhatsApp? How does this changing family landscape impact children and their parents? Bitter Things retraces positions on this topic from the 1960s right up to present day perspectives.

aneducation – documenta 14

Forty-eight entries are organized alphabetically as a lexicon, each written by various members of the aneducation team and documenta 14 Chorus, as well as curators, artists, and educators who contributed to the program. The publication’s many points of departure present just as many desires for other sites of learning. Cross references among the entries show the deep relationships that existed—and continue to deepen—between the methods, programs, and locations of aneducation.

When Attitudes Become the Norm
The Contemporary Curator
and Institutional Art Beti Žerovc

When Attitudes Become the Norm is a collection of essays and interviews by art historian and theorist Beti Žerovc on the topic of curatorship in contemporary art. Žerovc examines curatorship in its broader social, political and economic contexts, as well as in relation to the profound changes that have taken place in the art field over the last century. She analyses the curator as a figure who appears, evolves, and participates in the institutionalisation of contemporary art and argues that with the curator institutional art – art designed to fit the art institution’s space and needs – achieves its fullest expression.

Miya Yoshida Towards (Im)Measurability
of Art and Life

Towards (Im)Measurability of Art and Life gathers together various stories, practices, and essays about measurement that embrace paradox, contradiction, and humour. The book creates and introduces incidents of ideas, conceptual methods, acts, and processes of measurement that dwell in a conceptual transition between science (technology) and everyday life. When measurement is viewed as a practice, it is important to recall that data processing, especially visualisation, actually necessitates many aesthetic decisions.

Alex Martinis Roe To Become Two

To Become Two: Propositions for Feminist Collective Practice offers a narrative of artist Alex Martinis Roe’s research into a genealogy of feminist political practices in Europe and Australia from the seventies until today. These practices include those of the Milan Women’s Bookstore co-operative; Psychanalyse et Politique, Paris; Gender Studies (formerly Women’s Studies) at Utrecht University; a network in Sydney including people involved in the Sydney Filmmakers Co-operative, Feminist Film Workers, Working Papers Collective, and the Department of General Philosophy at Sydney University; and Duoda – Women’s Research Centre and Ca la Dona, a women’s documentation centre and encounter space in Barcelona.

Language is Skin
Scripts for Performances
by Romy Rüegger

Overlapping every day observations with archival material, confronting, jumping. Figures that intervene – interruptions into the reproduction and maintenance of colonial poison cabinets and patriarchal canons. Histories of involvement. The folding of histories. Entangling feminist fictions. Taking care of. Trouble, always trouble.

The Struggle Is Not Over Yet
An Archive in Relation

A conference, hosted by the International Center for the Arts José de Guimarães, borrowed its title from an unfinished film stored in an archive in Bissau. ‘Luta ca caba inda’ (The struggle is not over yet) was conceived as a documentary film on post-independence Guinea-Bissau, but was abandoned in the editing process in 1980. The archive testifies to a decade of collective and internationally connected cinema praxis in the country, as part of the people’s struggle for independence from Portuguese colonialism.

Luta ca caba inda.
Time Place Matter Voice. 1967–2017.

An archive of film and studio material in Bissau. On the verge of complete ruin, the footage testifies to the birth of Guinean cinema as part of the decolonising vision of Amílcar Cabral, the liberation leader who was assassinated in 1973. In collaboration with the Guinean filmmakers Sana na N’Hada and Flora Gomes, as well as many allies, Filipa César imagines a journey where in this fragile matter from the past operates as a visionary prism of shrapnel, with which to look through. Digitised in Berlin and screened at various locations – in what would come to resemble a transnational itinerant cinema – the archive convokes debates, storytelling and forecasts. From their screening in isolated villages in Guinea-Bissau to European capitals, the silent reels are now a place from which people might search for antidotes to a world in crisis.

Buon Lavoro
Four Films on Workers’ Communities
by Cora Piantoni

Stonemasons, cinema staff, a climbers’ cooperative, a group of 1970s militants. These communities testify to a period of upheaval that swept across Europe from the late 1960s to 1989. The fragments of biographies and the social relationships that Cora Piantoni depicts, are episodes in the context of this historic narrative: the legacy of anti-fascism in Italy, political dissent in the former Eastern Bloc, the fall of the Berlin Wall.

Klassensprachen
Issue 0

Instead of passing off art as a model for a better politics, we wish to test it for the signatures, the markers and forms of these deeply antagonistic relations of which art itself is a material part: we are concerned with art as a class language, as well as with class languages in art; with art’s room for maneuver as well as with its limits and restrictions, curatorially, in writing and debate.

The Psychopathologies of
Cognitive Capitalism
Part Three

This third volume of The Psychopathologies of Cognitive Capitalism emerges from deliberations that took place during two different symposia. The first was a collaboration between Warren Neidich and Mark Fisher at the Department of Visual Culture at Goldsmiths College, titled The Psychopathologies of Cognitive Capitalism Part Three: The Cognitive Turn, and the second was an event organized in conjunction with the Goethe-Institut Los Angeles, Noise and the Possibility of a Future.

Proxy Politics
Power and Subversion
in a Networked Age

This publication looks at proxy-politics on both a micro and a macro level, exploring proxies as objects, as well as networks as objects. What is the relation between the molecular and the planetary? How to fathom the computational regime?
Yet, whilst being a manifestation of the networked age, thinking like a proxy offers loopholes and strategies for survival.

Tropicália and Beyond
Dialogues in Brazilian Film History

Although the short-lived Brazilian cultural movement known as Tropicália is most commonly associated with music and the visual arts, its sense of playfulness and strategies of appropriation have stimulated many of the country’s filmmakers from the 1960s to the present. Fifty years after its emergence, what is the legacy of Tropicália today?

Resolution 827

This publication’s title references the UN Security Counsel Resolution that in 1993 established the International Criminal Tribunal for the former Yugoslavia (ICTY). It is the outcome of a collaboration between Stedelijk Museum Bureau Amsterdam and the Museum of Contemporary Art, Belgrade. Previously taking the form of an exhibition and artist presentations at SMBA and a panel discussion hosted by the Stedelijk Museum’s Public Program, it now finds it result in this publication that brings together various texts by the participating artists, visual documentation of their works and adaptions of the discussions that took place.

tracelation Tyyne Claudia Pollmann

Retrieving, processing, tracking and tracing have evolved into standard actions performed with any available data, including their instant translation into images, thus transforming, modifying, and adjusting them for the visualized results. tracelation underscores the indispensable action of translation within the performance of tracing, which results in histories of action, movement, performance, as time-specific changes of particles: big data.