Resolution 827

This publication’s title references the UN Security Counsel Resolution that in 1993 established the International Criminal Tribunal for the former Yugoslavia (ICTY). It is the outcome of a collaboration between Stedelijk Museum Bureau Amsterdam and the Museum of Contemporary Art, Belgrade. Previously taking the form of an exhibition and artist presentations at SMBA and a panel discussion hosted by the Stedelijk Museum’s Public Program, it now finds it result in this publication that brings together various texts by the participating artists, visual documentation of their works and adaptions of the discussions that took place.

tracelation Tyyne Claudia Pollmann

Retrieving, processing, tracking and tracing have evolved into standard actions performed with any available data, including their instant translation into images, thus transforming, modifying, and adjusting them for the visualized results. tracelation underscores the indispensable action of translation within the performance of tracing, which results in histories of action, movement, performance, as time-specific changes of particles: big data.

1975 – Diario di strada Daniela Comani

1975 is an artist book by Daniela Comani, based on research following the finding of a childhood notebook from ’75. Through neutral images selected by the manufacturers for brochures Comani researches cars that were on the road in the 70’s, some of which are icons of this time and define the spirit of the age. The project becomes a social and historical study on style in the pre-globalized world and, above all, a kind of self-portrait.

Extending the Dialogue
IZA SERIES

The authors whose writings appear in this book come from twelve different countries and represent a range of disciplines and interests: they are art historians, philosophers, cultural theorists and activists, critics, curators, and poets, with most of them falling into at least two or three of these categories. All have made important contributions to contemporary art and cultural production, art history writing, and critical thought within, and sometimes far beyond, the region once known, problematically, as ‘Eastern Europe.’

Bare Lives Mario Rizzi

In Bare Lives Mario Rizzi portays Yazidi refugee camps and their inhabitants, exploring hidden stories and consequences of the so-called ‘Arab Spring’ and how they entangled individual political lives and wider geopolitics of the region.

Mobile Cinema Romana Schmalisch

The Mobile Cinema presentation apparatus – somewhere between urban model, cinema, and plate camera – derived its form from Alexander Medvedkin’s film The New Moscow (1938), in which an engineer used it to present his designs and visions for Moscow on his journey into the Soviet capital. The real space is replaced by a city of models representing a new reality by cinematographic means.

I stick my hands into the earth, and I think for a while Gitte Villesen

Travelling through the forest in Mexico, I reread Ursula Le Guin’s The Word for World Is Forest, which is set on a planet covered with forest. The inhabitants of the planet have trained themselves to master their dreams. For them, dream-time and world-time are equally real. At some point, a group of earthlings arrives, intending to colonise the planet. To the locals, the invaders’ dreams seem like those of a 3-year-old with no control and no awareness. Also, the earthlings use hallucinogens that send their dreams out of control.

Conflict Atlas
Geopolitics and Contingencies on the Malvinas-Falklands ArchipelagoJasmijn Visser

Conflict Atlas looks at history through the perspective of the Falklands Islands/Islas Malvinas. Global events are mirrored to local proceedings on the archipelago. Through this method it explores trade routes, colonial enterprises, patterns of migration, questions of identity, strategies in warfare and the role of the climate in social issues. Conflict Atlas comprises texts, maps and archival materials. Starting from the case of the Falklands/Malvinas it aims to create a field of tensions by the multiplication and stratification of geographical sites, historical times and subjective views.

Politics of Memory
Documentary and Archive

The anthology Politics of Memory aims to investigate the document as such, as an objective trace left by events, as material proof or the creation of reality – the strategies with which they transform a state of memory into State memory, those by means of which a historical removal is enacted, those, ultimately, in which there is an attempt to challenge permanent or temporary amnesia, opening up to the future. The artists and filmmakers contributing to this publication represent the most advanced area on an international scale of a research that inaugurates a new relationship between artistic practices and the documentary.

Da Capo.
Fifteen Films Deimantas Narkevičius

This publication constitutes the first comprehensive overview of the filmic production by the video-artist and filmmaker Deimantas Narkevičius: over 20 years of production and more than 200 exhibitions all over the world. It contains the transcription in their integral version of the film’s dialogue list, and it is completed by the comments of 16 authors on the 15 films made by Narkevičius from 1997 through to today. Each film is introduced by the artist’s personal statement.

The Forest and The School
Where To Sit at the Dinner Table

Edited by the writer and visual artist Pedro Neves Marques, this book is a thorough anthology on Brazilian Antropofagia. It presents Antropofagia not simply as an aesthetic movement, based on acculturation or an hybridity exemplary of the tropics, but as a full scope South American cosmopolitics, defined by predation and the immanence of the enemy, by an humanity unbound from species, and a technology aimed at leisure.

Lieux de Mémoire and Desire Maya Schweizer

The publication presents five cinematic works of Maya Schweizer and examines how the artist approaches the relation of montage editing techniques with the concept of film and memorial and film as memorial – a relation which traces back to both the very beginnings of montage and incorporates the research of French historian Pierre Nora. Recurring moments in Schweizer’s multiform art practice revolve around the examination of subtly treated processes of memory regarding historic-political events in public space. In the places, structures and situations she investigates, historical threads intersect.

Anguish Language
Writing and Crisis

Edited by John Cunningham, Anthony Iles, Mira Mattar and Marina Vishmidt.
Anguish Language approaches language as a core aspect of the present social crisis. The project engages in solidarity with forms of self-publishing, poetry, criticism, experimental writing and declamation that have arisen in the wake of the 2007-8 financial crisis, considering language among and through the social strugge responding to its consequences.

The Psychopathologies of
Cognitive Capitalism
Part One

This book collects the papers that were presented at “The Psychopathologies of Cognitive Capitalism: Part One” conference in Los Angeles in November 2012. The conference brought together an international array of philosophers, critical theorists, media theorists, art historians, architects, and artists to discuss the state of the mind and the brain under the conditions of cognitive capitalism, in which they have become the new focus of laboring. How have emancipatory politics, art and architecture, and education been refined by semiocapitalism? What might be the lasting, material ramifications of semiocapitalism on the mind and brain?

The Psychopathologies of
Cognitive Capitalism
Part Two

The Psychopathologies of Cognitive Capitalism: Part Two is the second volume in a series which maps out the complex terrain of cognitive capitalism as an ontogeny in which its earlier phase has transitioned into a later phase that we are now beginning to experience. This volume collects together papers from a conference of the same name held at the Institute of Cultural Inquiry, Berlin, in the spring of 2013. The book contains three sections of which the first is titled Cognitive Capitalism: The Early Phase, the second The Psychopathologies of Cognitive Capitalism and its Responses, and the last The Cognitive Turn in Cognitive Capitalism.

History and Interregnum Stan Douglas

History and Interregnum looks at the relationship between history and fiction through the practice of re-enactment, as seen in three works by Stan Douglas. The Secret Agent (2015), Disco Angola (2012) and Luanda-Kinshasa (2013) all draw upon the same historical period, which saw the emergence of different universalist and multicultural hopes for a transformed world. The recent history of Portugal, namely the Carnation Revolution of 1974 and decolonisation, and manifestations of culture such as jazz-rock, disco, funk and afrobeat, contribute to a political and multicultural emancipation dreamed of in those times, but ultimately eclipsed by new configurations of power. This book is a consideration of a politics of means, taking as its starting point the idea of a state of interregnum exemplified by these moments, exploring it in the light of artistic devices used by Stan Douglas.

Sunsets
Notes From Underground Waves
Lisa Tan

The book serves as a guidebook to Lisa Tan’s eponymous video suite. Containing illustrated transcriptions of each video and texts by Mara Lee, Lauren O’Neill-Butler, Natasha Sadr Haghighian, and the artist, it both catalogues and responds, sticks to the facts and allows for hearsay.
The concept of the liminal permeates Tan’s videos: drifting between day and night, above and below ground, land and sea. An analogous transit is offered by this book, suspending the reader between the empirical and subjective, with the hope of fulfilling the promise held out by the liminal: transformation.