Category: Titles

Not Working

Not Working

This book is published on the occasion of the exhibition Not Working, Artistic production and matters of class at Kunstverein München from September 12 until November 22, 2020. It includes contributions that form a theoretical, literary, and poetic extension of exhibition bringing together international artists, theorists and writers who in their work examine the interdependence of artistic production and social class. 

Please Rewind. German-Turkish Film and Video Culture in Berlin

Please Rewind. German-Turkish Film and Video Culture in Berlin

Along with labor migration from Turkey, Turkish film culture has, over the years, established itself in West Berlin. Starting with screenings of Turkish films in Berlin cinemas, the video cassette conquered the market in the 1980s. Video nights became important family events; the video rental industry was booming. In addition to the import of videos from Turkey, videos which examined experiences of migration and ques- tions of identity were also produced in Germany. This publication is dedicated to the re-discovery of the German-Turkish film and video culture which continues to shape the post-migrant society to this day.

Bitte zurückspulen. Deutsch-türkische Film- und Videokultur in Berlin

Bitte zurückspulen. Deutsch-türkische Film- und Videokultur in Berlin

Mit der Arbeitsmigration aus der Türkei etablierte sich über die Jahre auch die türkische Filmkultur in Westberlin. Angefangen mit Vorführungen türkischer Filme in Berliner Kinos, eroberte in den 1980er Jahren die Videokassette den Markt. Videoabende wurden zu wichtigen Familienevents, das Video-Verleih- geschäft boomte. Neben dem Import von Filmen aus der Türkei wurden auch in Deutschland Videos produziert, in denen Migrationserfahrungen und Identitätsfragen thematisiert wurden. Diese Publikation widmet sich der Wiederentdeckung dieser deutsch-türkischen Film- und Videokultur, welche die postmigrantische Gesellschaft bis heute prägt.

wild recuperations. material from below

wild recuperations. material from below

Dissident practices and sociabilities of the late GDR unfolded in a present that was largely detached from any utopian future. Their traces are alive in the memory of those involved in the cultural and political underground at the time and in numerous materials and documents held in archives and collections. This book is the result of a transdisciplinary research process that brought artists, researchers, writers, curators, archivists, activists, and multiple interlocutors together at the Archive of the GDR Opposition in Berlin.

wildes wiederholen. material von unten

wildes wiederholen. material von unten

Die Erfahrungen des gemeinsamen widerständigen Lebens in der von jeder utopischen Zukunft gelösten Gegenwärtigkeit der späten DDR harren noch immer einer differenzierten Bearbeitung. Ihre Spuren sind in der Erinnerung der damals Involvierten und in zahlreichen Dokumenten und Materialien in Archiven und Sammlungen aufgehoben. Dieses Buch ist das Ergebnis eines vielstimmigen und transdisziplinären Arbeitsprozesses von Künstler*innen, Autor*innen, Forscher*innen, Kurator*innen, Archivar*innen, Aktivist*innen und weiteren Gesprächspartner*innen im Archiv der DDR-Opposition.

Conversing with Leaves

Conversing with Leaves

Dialogue forms the basis of everything in my artistic practice. I never work in a vacuum, never just in my head or shut away in a studio. I always view myself as being in a dialogue with the world, with others. I travel a lot for my work and I’m dependent on people to talk with locally, on hospitality and collaboration. For some time, I’ve also been interested in the way we can understand plants as actors in history, in other words, not just as passive extras. Of course, plants don’t talk in words, but they are still communicating through smells, colours, or toxins. So conversations always take place on various levels.

Peace with the Earth

Peace with the Earth

The pamphlet Peace with the Earth was published by the Swedish suffragettes and peace activists Elisabeth Tamm and Elin Wägner in 1940, after the outbreak of the Second World War. Elisabeth Tamm served as one of the first women in parliament and was an organic farmer. Elin Wägner worked as a writer and activist on matters of women’s rights, peace, and ecology, and was a member of the Swedish Academy. The authors’ observations and proposals connect questions of agriculture to those of custody of land and habitats, where the ‘arrogant desire’ to own land must be overcome.

Archive Journal n°9

Archive Journal n°9

This issue was initiated by visual artist, researcher and amateur plant breeder Åsa Sonjasdotter to accompany her exhibition and seed propogation project at Project Arts Centre (PAC), Dublin. In collaboration with practitioners of cultivation, the project 'Peace with the Earth – Tracing Agricultural Memory, Refiguring Practice' revisits histories of agriculture. It investigates soil, habitat and dwelling histories, in order to challenge and transform long-established cultural narratives of cultivation and ecological thinking.

Earthrise

Earthrise

There is no question that ecological ideas acquired a central role in contemporary episteme. In contrast, the heuristic function that these ideas can assume in the current polarisation is questionable: that which, over the last decade, has identified the environmental crisis with the (categorical and totalitarian) concept of the Anthropocene. Ecological discourse positioned itself inside historically situated trajectories that contributed to the transformation of aesthetical paradigms and political practices. In the scenario that 1968 opened up, the transversal nature of subjectivity allowed it to cover different fields, beginning with the tension between the logic of a unitary discourse and the creation of a multiplicity of possible worlds, between the molar and the molecular, the micro and the macro.

Grow it Yourself

Grow it Yourself

There is no question that ecological ideas have by now acquired a central role in contemporary episteme. In contrast, the heuristic function that these ideas can assume in the current polarisation is questionable: that which, over the last decade, has identified the environmental crisis with the (categorical and totalitarian) concept of the Anthropocene. […] Nonetheless, if it is true that the concept of the Anthropocene has its origins in this “change in state” of human activities, the impression remains of being witness to a new form of universalizing anxiety (impatience) that is ready to re-establish and recapture the ecological discourse within a to- talitarian and centralizing narrative, in a sort of modernist, meta-narrative to whose liquidation the environmentalism of the 1960s and 1970s (with its movement-based and destituent nature) had contributed.

Illusion einer Menschenmenge

Illusion einer Menschenmenge

Filmmaterial 7 / In Zusammenarbeit mit Till Gathmann. Mit den Filmen Transformation Scenario, 70.001 und Faux Terrain sowie einem Bildessay, Glossar und Textbeiträgen von Heike Geißler, Fanni Fetzer und Franciska Zólyom.

The Illusion of a Crowd

The Illusion of a Crowd

Film material 7 / In collaboration with Till Gathmann. Including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

Streams of Consciousness. Catalogue

Streams of Consciousness. Catalogue

The moment of a snapshot could be an extended moment of capturing the stream of consciousness. The moment something catches the attention of the photographer, the many associations that are made conceptually and aesthetically, the many references that are invoked and situations convoked lead to the shot. Thinking is as much an active as a passive process, and what becomes important is how that which is seen, heard, smelled, felt, tasted or perceived in another way triggers the inner eye to see or inner voice to utter thereby setting this stream of consciousness in motion.

Courants de conscience. Reader

Courants de conscience. Reader

Conçue pour la 12ème édition des Rencontres de Bamako ce livre recueille la pensée des écrivains, des poètes et des artistes quant à la pratique de la photographie en Afrique et à travers sa diaspora de part la notion de « courant de conscience ».

La notion de courants de conscience est liée de manière intrinsèque à celle d’une profondeur de la vision : en d’autres termes, elle correspond à l’idée que la vision peut transcender ses confins optiques pour invoquer les autres sens. La photographie en tant que force vectorielle d’une telle conception de la vision, fait acte de prothèse pour combler notre regard appauvri.

Streams of Consciousness. Reader

Streams of Consciousness. Reader

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators’ proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”

The moment of capturing an image can be understood as a solidifying of the streams of consciousness which occur in the photographer’s mind in that decisive moment: the photograph then becomes the place of convergence of all conceptual, aesthetic and cultural ideas and associations out of which the impetus to capture arose.

Rehearsing Hospitalities. Companion 1

Rehearsing Hospitalities. Companion 1

Upon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, and if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the questions and considerations that provide a critical lens for the 2019 Rehearsing Hospitalities programme.