Togetherward is a volume assembling new and existing documents that revisit, mix and remix moments in the work of artist Christian Nyampeta. The volume is composed of material that exceed singular authorship, in the form of texts, images, film stills, footnotes, photographs, poetry, and translations.Â
Tag: Art
As though we hid the sun in a sea of stories / Als hÀtten wir die Sonne verscharrt im Meer der Geschichten
Accompanying the exhibition As Though We Hid the Sun in a Sea of Stories, this reader weaves together essays, conversations, and poetry that trace the multiplicity of worldviews, histories, and archives that have existed within an area of Central and Eastern Europe, Central and North Asia, and further beyond.
O Quilombismo Album
Beyond thinking with quilombismo as a metaphor, O Quilombismo: Of Resisting and Insisting. Of Flight as Fight. Of Other Democratic Egalitarian Political Philosophies. deliberated on the intellectual and political implications of a philosophy and ideology based on the quilombos, mapping the spaces that they have made and continue to make possible today. Featuring over 100 full colour images and installation views, the O Quilombismo Album is a visual record of these acts of opening again, a celebration of conviviality.
O Quilombismo Handbook
The O Quilombismo Handbook is an indispensable companion to the eponymous exhibition. It includes background information on and numerous images of all exhibited works, texts providing further insight into the practice of the participating artists, as well as floor plans and sketches of the exhibition spaces. Two introductory essays provide context for the philosophy of quilombismo and the conceptual framework of the exhibition.
O Quilombismo Handbuch
Das O Quilombismo Handbuch ist die unentbehrliche Begleitpublikation zur gleichnamigen Ausstellung. Darin finden sich Werkinformationen und Abbildungen aller gezeigten Arbeiten, vertiefende Informationen zu den beitragenden KĂŒnstler*innen sowie LageplĂ€ne und Skizzen der AusstellungsrĂ€ume. Zwei einleitende Essays fĂŒhren in die Philosophie des Quilombismo und das Konzept der Ausstellung ein.
K̶-Artists
There has been a recent surge of global interest in Korean arts and popular culture, as evidenced by neologisms such as K-pop, K-drama and K-classic. Korean contemporary art has also captured the attention of a growing number of international biennales, exhibitions and fairs, attracting an international audience to Koreaâs local artists and the scene they comprise. This is where our questions begin: despite a growing sense of nationalism in the global political stage, through a post-postmodernist lens, national categorization appears anachronistic. Is the prefix âKâ then a mere political ploy and capitalist commodity? If âKâ were to be removed, on the other hand, how else might we attempt at providing a portrait of the changing currents in Koreaâs art scene? Is collective categorization or generalization ever worthwhile, and if so, to what extent can it be done without reducing or marginalizing individuals?Â
O Quilombismo Reader (DE)
Der Reader zum Projekt O Quilombismo: Von Widerstand und Beharren. Von Flucht als Angriff. Von alternativen demokratisch-egalitĂ€ren politischen Philosophien, wendet sich an Leser*innen mit Interesse an den konzeptionellen HintergrĂŒnden und den kuratorischen Linien der Ausstellung: Auflehnung, Befreiung, SpiritualitĂ€t, Ekstase, neue kulturelle Formen und Ă€sthetische Paradigmen, Interpretationen von KollektivitĂ€t und Quilombo als Queering.
O Quilombismo Reader (EN)
This reader, published on the occasion of the project O Quilombismo: Of Resisting and Insisting. Of Flight as Fight. Of Other Democratic Egalitarian Political Philosophies, brings the themes of the eponymous group exhibition to those interested in wider conceptual explorations around its multifaceted curatorial threads: insurgence, resistance, liberation, spirituality, ecstasy, new cultural forms and aesthetic paradigms, quilombo as queering, and the reimagination of collectivity.
An Ongoing-Offcoming Tale
An Ongoing-Offcoming Tale comprises abstractions, subversions and poetic ruminations, housed within essays that engage with the lives and practices of over 30 artists. It opens with the question: If only some leaves could speak? And in the journey that follows, we encounter many such possibilities â that leave us asking questions of the boundaries we place around the things we are allowed to think, the knowledge we call knowledge, and the questions we permit ourselves to ask.
How to Die – InopinĂ©
How to Die - Inopiné is a performance and a practice. It thinks through, in an embodied manner, the prevailing contemporary moods of ecological grief, cultural panic, and collapse. As a performance in a theater or outdoors, an audience encounters five dancers who are constantly building, unbuilding, and rebuilding. Afterwards, stories are told around a bonfire. As a practice in the studio, school, or street, a group of dancers, artists, writers, and architects meet for a year of residencies between Oslo and UmeÄ.
Sedje HĂ©mon – Emotion of Spirits
Sedje HĂ©mon (1923-2011) dedicated her life to showing the common origin and intersectionality of all arts and sciences, culminating in the development of a theory for the âintegration of the arts.â
Imran Mir – A World that is not Entirely Reflective but Contemplative
Imran Mir's (1950-2014) oeuvre can be interpreted as a constant refusal to provide comprehensive elaboration beyond what one experiences. The act of contemplation is a guiding principle to interpreting Imran Mirâs work, an approach that reverberates into a practice that grew out of conversations with a community of artists, activists, poets, relatives, and other thinkers in Karachi.
Abdias Nascimento â Being an Event of Love
Abdias Nascimento (1914-2011) was a story-teller whose mediums of expression embraced as many forms as they could, borrowing the paths at hand to communicate ideas and reflect on the urgencies of his time and place.
Hannah Ryggen Triennale 2022: Anti-monument
Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Hannah Ryggen's legacy (1894â1970). With the anti-monument as a prism, embodied truths are replaced with a multitude of alternatives. In this publication, the curators and invited authorsexplore the dialogues that take place between Hannah Ryggen's tapestries and the contemporary artists's woks in the triennale exhibitions, also mediated through a rich selection of images.
Hannah Ryggen's attitude toward hierarchical constructions is still confrontational Her art invites dynamic readings, at the same time as it punctures fascist ideologies and literally outlasts structures in reinforced concrete. This is the strength and potential of her textile anti-monument.
Die Vibration der Dinge | The Vibration of Things
Things, including artistic objects, are integrated into social and societal contexts. Objects are alive, they vibrate and generate resonance. When they travel, their meanings and values shift. They possess a charge that can change and even disappear.
Afro-Sonic Mapping
From his longstanding engagement to âun-muteâ colonial sound collections captured during the European colonial period, Satch Hoytâs practice has been dedicated to intervene those collections and awake their sonicity, releasing phonogram recordings and instruments of different regions in Africa from the museological silence. For Hoyt, the sonic opens a portal to the acoustic mappings of history â testimonies of enslavement, resistance, empowerment and liberation, and also the amalgamations of today and the future.