Our Bodies and Our Lands Haven’t Registered Ways to Survive Within this Kind of Acceleration of Time In Relation To Memory
A conversation with Otobong Nkanga
Taste of a Stone, 2020
Taste of a Stone, 2020, site-specific installation, boulders, gneiss, granite, iceland lichen, inkjet prints on limestone, marble pebbles, movements, plants
Gropius Bau, photo: Luca Girardini
Carved to Flow, 2017, laboratory installation and natural soap O8
coproduced by Yanghyun Foundation, Seoul, and Ministerie van de Vlaamse Gemeenschap, Departement Cultuur, Jeugd en Media, Brussels, installation view, Archimidous 15, Athens, documenta 14, photo: Stathis Mamalakis
Carved to Flow, 2017, performance and installation, installation view
Neue Galerie Kassel, documenta 14, photo: Liz Eve
Carved to Flow, 2019–2020, workshop room
Gropius Bau
Carved to Flow, 2020
Gropius Bau, Architect and researcher: Nuno Vasconcelos, photo: Laura Fiorio
The Leftovers, 2017, woven textile, 239 x 163 cm
OBJECT ATLAS, 2012, Welkulturen Museum
In Pursuit of Bling
In Pursuit of Bling – Discovery, 2014
In Pursuit of Bling – Desire, 2014
In Pursuit of Bling – The Transformation, 2014
Great Mosque of Djenné
Crumbling through Powdery Air, 2015
Portikus
Diaspore, 2014
Site specific installation and live performance at 14 Rooms, Basel
Queen of the Night, 2015, drawing
Anastatica hierochuntica
Kolanut Tales – Slow Stain, 2012-2017, glass, felt, wooden plinth
Landversation
Glimmer, 2014
Contained Measures of Land, 2008
What is mine is not yours
The Fight
Crisis
Contained Measures of Shifting States, 2012
Digital Companion
An Ongoing- Offcoming Tale by Bonventure Soh Bejeng Ndikung
Anecdotes of That Which Is So Visible It Cannot Be Seen →