Our Bodies and Our Lands Haven’t Registered Ways to Survive Within this Kind of Acceleration of Time In Relation To Memory

A conversation with Otobong Nkanga

Taste of a Stone, 2020

Taste of a Stone, 2020, site-specific installation, boulders, gneiss, granite, iceland lichen, inkjet prints on limestone, marble pebbles, movements, plants

Gropius Bau, photo: Luca Girardini

Carved to Flow, 2017, laboratory installation and natural soap O8


coproduced by Yanghyun Foundation, Seoul, and Ministerie van de Vlaamse Gemeenschap, Departement Cultuur, Jeugd en Media, Brussels, installation view, Archimidous 15, Athens, documenta 14, photo: Stathis Mamalakis

Carved to Flow, 2017, performance and installation, installation view


Neue Galerie Kassel, documenta 14, photo: Liz Eve

Carved to Flow, 2019–2020, workshop room


Gropius Bau

Carved to Flow, 2020

Gropius Bau, Architect and researcher: Nuno Vasconcelos, photo: Laura Fiorio

The Leftovers, 2017, woven textile, 239 x 163 cm


OBJECT ATLAS, 2012, Welkulturen Museum

In Pursuit of Bling

In Pursuit of Bling – Discovery, 2014

In Pursuit of Bling – Desire, 2014

In Pursuit of Bling – The Transformation, 2014

Great Mosque of Djenné

Crumbling through Powdery Air, 2015



Diaspore, 2014

Site specific installation and live performance at 14 Rooms, Basel

Queen of the Night, 2015, drawing

Anastatica hierochuntica

Kolanut Tales – Slow Stain, 2012-2017, glass, felt, wooden plinth


Glimmer, 2014

Contained Measures of Land, 2008

What is mine is not yours

The Fight


Contained Measures of Shifting States, 2012

Digital Companion


An Ongoing- Offcoming Tale by Bonventure Soh Bejeng Ndikung

Anecdotes of That Which Is So Visible It Cannot Be Seen →