
Keeping it Real
A Conversation with Olu Oguibe

Keep it real memorial to a youth, 1997-2000, installation


Game, 2003, installation


Ukara cloth, Igbo peoples, Nigeria, 1983, cotton, indigo dye, 256.5 x 198.1cm
above:
Mbuti barkcloth paintings, Ituri Forest/Zaire, Democratic Republic of The Congo, approx. 75 cm
below:
Paul Klee, Rider Unhorsed and Bewitched,


“So, who knows: perhaps abstraction in the West was invented in 1911, although Paul Klee copied Mbuti abstract drawings well before then. That’s of less interest to me given that drawing, painting, and design in my own culture were always abstract until well after 1911. That’s what I draw from.”

above:
Adinkra calabash stamps, of the Akan people, Ghana
right:
Asafo flags, of the Fante people, Ghana, 18th century onwards





Bridge, 2002, impromptu installation and performance, Loiza, Puerto Rico

Library Project for Jamaica Flux, 2004, inkjet print, 127 x 66 cm

Buggy, 1997, installation


Women of Substance, 2000, paintings


Olu Oguibe Remembers Chibok, 2017, performance
Olu Oguibe at documenta 14

“Das Fremdlinge und Flüchtlinge Monument” (“Monument for strangers and refugees”), 2017, concrete

Biafra Time Capsule, 2017, documents, archival objects, and mixed media, installation view
Digital Companion
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