That Spatio-Cognitive Journey Between Vision And Conviction
Annotations on the Practice of Ibrahim Mahama in Five Four Movements
EXCHANGE EXCHANGER, Liberty Please No Enter by Police, 2017, Kanda 37, Accra, Ghana
Civil Aviation, Airport, 2014, Accra, Ghana
National Theatre of Ghana, 2016, Accra, Ghana
A Friend, 2019, Caselli Daziari di Porta Venezia, Milan, Italy
University of Michigan Museum of Art, 2020, Ann Arbor, USA
Labour of Many, 2019
Norval Foundation, Cape Town, South Africa
Fara Tuuba, 2019
scrap metal tarpaulin, metal tags and smock fabric on charcoal jute sacks, 212 x 241 x 12 cm
Chiyaama, 2019
scrap metal tarpaulin and metal tags on charcoal jute sacks, 251 x 216 x 12 cm
Din Paai Jugu, 2019
metal tags and smock textile on charcoal jute sacks, 196 x 240 x 12
Non-Orientable Nkansa, 2016
EXCHANGE EXCHANGER, AFFORDABLE HOUSING. INSTALLING OBJECTS, NO STOPPING NO PARKING NO LOADING. 1957-2057, 2015, Asokore Mampong, Kumasi, Ghana
K.N.U.S.T Catholic Church, 2016, Site of Production, Kumasi, Ghana
Malam Dodoo National Theatre, 2016, Installation with Collaborators, Site of Production
Check Point Prosfygika. 1934-2034. 2016-2017, 2016
performance with sacks of coal on Syntagma Square, Athens, documenta 14
Check Point Sekondi Loco. 1901-2030. 2016-2017
2016-17, various materials, gate guard, Kassel, documenta 14
Digital Companion
An Ongoing- Offcoming Tale by Bonventure Soh Bejeng Ndikung
Anecdotes of That Which Is So Visible It Cannot Be Seen →