
That Spatio-Cognitive Journey Between Vision And Conviction
Annotations on the Practice of Ibrahim Mahama in Five Four Movements


EXCHANGE EXCHANGER, Liberty Please No Enter by Police, 2017, Kanda 37, Accra, Ghana

Civil Aviation, Airport, 2014, Accra, Ghana

National Theatre of Ghana, 2016, Accra, Ghana
Labour of Many, 2019
Norval Foundation, Cape Town, South Africa




Fara Tuuba, 2019
scrap metal tarpaulin, metal tags and smock fabric on charcoal jute sacks, 212 x 241 x 12 cm

Chiyaama, 2019
scrap metal tarpaulin and metal tags on charcoal jute sacks, 251 x 216 x 12 cm

Din Paai Jugu, 2019
metal tags and smock textile on charcoal jute sacks, 196 x 240 x 12

Non-Orientable Nkansa, 2016




EXCHANGE EXCHANGER, AFFORDABLE HOUSING. INSTALLING OBJECTS, NO STOPPING NO PARKING NO LOADING. 1957-2057, 2015, Asokore Mampong, Kumasi, Ghana

K.N.U.S.T Catholic Church, 2016, Site of Production, Kumasi, Ghana

Malam Dodoo National Theatre, 2016, Installation with Collaborators, Site of Production

Check Point Prosfygika. 1934-2034. 2016-2017, 2016
performance with sacks of coal on Syntagma Square, Athens, documenta 14


Check Point Sekondi Loco. 1901-2030. 2016-2017
2016-17, various materials, gate guard, Kassel, documenta 14
Digital Companion
An Ongoing- Offcoming Tale by Bonventure Soh Bejeng Ndikung
Anecdotes of That Which Is So Visible It Cannot Be Seen →