The Blue Room by the artistic duo Tehnica Schweiz (Gergely László and Péter Rákosi) is an installation comprising a film and a porcelain sculpture collection. The work is aimed at the re-examination of our relation to architectural and material cultural heritage, merging two stories: the story of the Hungarian Museum of Fine Arts's nineteenth century plaster cast collection of antique sculptures, and that of the eighteenth century synagogue of Tata, which served to house the life-size copies of antique sculptures for more than forty years.
Elsewhere critical thinking and mundane life have followed separate paths, one rending the other impossible or irrelevant. Somehow, in some worlds, you can’t do one while doing the other. In Jaana Laakkonen’s book we have a record of the successful transgression of this binary prohibition developed through years of careful artistic practice and living with reading.