The Blue Room by the artistic duo Tehnica Schweiz (Gergely László and Péter Rákosi) is an installation comprising a film and a porcelain sculpture collection. The work is aimed at the re-examination of our relation to architectural and material cultural heritage, merging two stories: the story of the Hungarian Museum of Fine Arts's nineteenth century plaster cast collection of antique sculptures, and that of the eighteenth century synagogue of Tata, which served to house the life-size copies of antique sculptures for more than forty years.
Tag: art history
This book collects the papers that were presented at "The Psychopathologies of Cognitive Capitalism: Part One" conference in Los Angeles in November 2012. The conference brought together an international array of philosophers, critical theorists, media theorists, art historians, architects, and artists to discuss the state of the mind and the brain under the conditions of cognitive capitalism, in which they have become the new focus of laboring. How have emancipatory politics, art and architecture, and education been refined by semiocapitalism? What might be the lasting, material ramifications of semiocapitalism on the mind and brain?
The authors whose writings appear in this book come from twelve different countries and represent a range of disciplines and interests: they are art historians, philosophers, cultural theorists and activists, critics, curators, and poets, with most of them falling into at least two or three of these categories. All have made important contributions to contemporary art and cultural production, art history writing, and critical thought within, and sometimes far beyond, the region once known, problematically, as ‘Eastern Europe.’