Cecilia Vicuña’s liberatory text Language is Migrant interrogates the capacity of language within and through our wounded oral cultures and lexical histories. With her in mind, and emanating from the 2022 edition of Colomboscope festival, SCROLL also engages with the idea of language as a complex translator and migratory force, via the medium of print.
SCROLL's second issue ‘It is Not the Seas that Scare of Me’ is created in collaboration with Colomboscope 2019. For this issue, the oceanic frontier becomes a jumping off point for artists and writers to examine concerns around trade & exchange, economy & colonization and sexuality & the surreal.
Imran Mir's (1950-2014) oeuvre can be interpreted as a constant refusal to provide comprehensive elaboration beyond what one experiences. The act of contemplation is a guiding principle to interpreting Imran Mir’s work, an approach that reverberates into a practice that grew out of conversations with a community of artists, activists, poets, relatives, and other thinkers in Karachi.