Tag: Hospitality

Rehearsing Hospitalities Companion 4

Rehearsing Hospitalities Companion 4

Rehearsing Hospitalities Companion 4 asks what the possibilities and limitations of hospitality are. Should we instead be turning towards “rehearsing” redistribution?

This publication points towards the vast ways our lives and worlds could be organised through less hierarchical, extractive, and exploitative practices: with more love afforded to ourselves, one another, and our more-than-human kin.

Rehearsing Hospitalities Companion 3

Rehearsing Hospitalities Companion 3

Rehearsing Hospitalities Companion 3 is the third in a series of readers published by Frame Contemporary Art Finland and Archive Books, which accompany Frame’s five-year public programme Rehearsing Hospitalities. The 2021 edition looks into questions of hospitality safety, security and care.

Rehearsing Hospitalities. Companion 2

Rehearsing Hospitalities. Companion 2

Upon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, and if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the questions and considerations that provide a critical lens for the 2019 Rehearsing Hospitalities programme.

Whose Land Have I Lit on Now?

Whose Land Have I Lit on Now?

The unlikely seemed possible in the summer of 2015, as thousands of immigrants from mostly Syria made their way to Germany and Angela Merkel made the statement “Wir schaffen das” (We can do it/ we can cope with it). A German's venture into open hospitality was being witnessed as the country celebrated its newfound “Willkommenskultur.”

Rehearsing Hospitalities. Companion 1

Rehearsing Hospitalities. Companion 1

Upon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, and if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the questions and considerations that provide a critical lens for the 2019 Rehearsing Hospitalities programme.